Want to learn the shortctus and strategies to (finally) completing that screenplay you've been tinkering with?
Want to know the secrets to writing a script that captures the attention of managers, agents, directors...even actors!
Want to master screenplay structure without going to film school and taking out thousands of dollars in student loans?
You've come to the right place!
In "How to Write a Screenplay That Doesn't Suck" you'll learn:
*The BIGGEST MISTAKE newbie screenwriters make when learning how to write a screenplay--and how to avoid it.
*How to send an email query to agents and managers that’ll actually GET YOUR MOVIE SCRIPT READ.
*A quick, easy way to crunch 3 years of film school knowledge into 30 days
*How to write a movie script that’s marketable--before you start on page one.
*And so much more!
Each chapter includes easy-to-follow action steps to help you boost your screenwriting IQ - without taking a single $2,000 seminar. You can learn screenwriting! (So, why not begin your quest to world-class screenwriting awesomeness...today!)
Genre: PERFORMING ARTS / Film & Video / ScreenwritingThere's a nasty secret about the film business nobody wants you to know.
And that is....
There’s nobody stopping you. Read that again.
There’s NOBODY stopping you.
Newbie screenwriters think industry insiders spend countless hours coming up with diabolical ways to keep them out.
“We'll make them send query letters on embossed letterhead we never read.”
“We’ll make them buy hundred-dollar memberships to industry-endorsed networks we never visit.”
“We’ll make them enter contests nobody on earth actually pays attention to…Wha-Ha-ha!”
Are you kidding? They want you.
Like a Kardashian sister in search of the paparazzi, the film biz desperately wants to “discover” your awesome, amazing script and help you cultivate your talent into an unstoppable force of story awesomeness.
And it’s got nothing to do with being generous or supportive or artistic.
It’s because they get credit for DISCOVERING you.
They don’t get bonus points for hiring Steve Zallian or Eric Roth.
They don't get a corner office for buying another Christopher Nolan “vehicle.”
They don't get a better table at The Ivy because they signed on for “Fast and Furious Part 10: More Furiousness.”
“I Coulda Been a Contender”
Studio executives and agents and producers ASCEND the Hollywood hierarchy ladder if they discover the next Diablo Cody. The next Alexander Payne.
The next...you!
When they do that, they get a promotion.
But to get discovered...
To sell your screenplay for $500,000 and have expensive lunches in Century City and buy overpriced Italian sports cars and date super models named Ivanka....
